Wednesday, July 9, 2008

The Re-Mains (Part 1)

The Re-Mains are an Australian band signed to Croxton Records. Their one and only YouTube video, period, is a classy, classic looking video with a van break down, the lads hitching to their show, and rockin* out Country Rock *n Roll style in an old building.

See it here:


Why mention The Re-Mains, well, I checked the line-up for North Country Fair in northern Alberta and saw they were playing. Hailing from Australia, the 6 year old band was going to tour Canada for three months. And they had shows in Vancouver and Victoria, B.C.

We dropped an email to them, and Mick Daley, their frontman and singer wrote back that he would love to see us at his New Music West showcase show at The Bourbon.

Down at The Bourbon, where we had played on St. Patrick*s Day, along with the Dreadnoughts, Jon and I saw an excellent show. Sadly it was spoiled by the following and (God-knows-why!) headlining act, The Satellite Nation, a poppy, emo kid band whose singer had all the moves. (But they do go to show that record sales still rule the day, despite the growth of indie power.)

And, I have to admit, I do get a sick little pleasure out of the child-like antics of emo stage acts. Like a kid whose lolly has just been taken by his mother, emo kids just feel so much pain.

Moving on, we chatted to The Re-Mains; showed them our cowboy hats we*d worn in support (even though they are not really country at all, but more rock with a banjo and dolbro); and gave them our recommendations for good breakfast spots in Vancouver. And highly stressed they go and drink at Big Bad Johns in Victoria -- one of our favourite bars in the world.

This is us at Big Bad Johns just a while ago: we have mixed up our hats and glasses with these strangers while drinking draughts of XXX, staring at the plastic snakes and lizards hanging from the ceiling on fishing wire, along with signed braziers and other nick-nacks, all to be dropped on unsuspecting customers from behind the bar, and then drawn up again.

Now, to understand our next encounter with The Re-Mains, you really should read our guitarist*s Os* Teacher Turned Folk Star accounts of the Lilac Festival (a.k.a. The Calgary Trip).

I was driving from Calgary to Banff in our rental van, to return it, before hitch-hiking to Canmore to see about getting the Pooka repaired. I picked up hitch-hiker as I left metro-Calgary, thought some karma would be good for when I had to hitch, and it turned out he was a local Banff expert on bears. The Bear Detective, people called him.

Mostly he lived in the bush.

Driving into Canmore, he said he knew a hotel where we could get free coffee. I loved his scavenger mentality, and used the opportunity to hijack the hotel*s internet, call the rental place and let them know I would be there a little after the return time.

When we met back at the car, The Bear Detective said he had made another phone call, and gotten some Canmore bush grass. Just hitting the road, we pulled in to get gas, realising I had to return the gas tank full. In the gas station on the side of the highway, there was The Re-Mains.

One of them recognized me as I pulled in. Then Mick Daley saw me and smiled a very surprised smile. We all greeted each other in amaze and laughed a lot.

It was pretty crazy. Feeling a little left out of the loop, The Bear Detective pipes into our fray,
-- Hey! I got some weed!

We discussed this important issue behind the gas station near the train tracks, like classy minstrel would, and the giggles didn*t subside about the odds of the encounter.

After a couple of pics being taken (soon to be shown, once Mick sends them to us), we rambled on.

Mick Daley had given me The Re-Mains first record at The Bourbon. I owed him ours when it came out on Midsummer, at North Country Fair -- the event that had led to our meeting this band, which slowly was getting cooler and cooler, in my serendipitous estimation.

Hot Blood was my favourite of their rocker songs. And finally, at North Country Fair I got see them do it.

To be continued....

THE DRUNKEN PRIESTS...On the Road!

Tetélestaí.
It is finished.

After a solid 11 months of hard studio work, reworking, editing, mixing, drinking, mastering, remixing, remastering, drinking, graphic design, drinking, contracting and drinking and drinking and more drinking, finally...

It was time to celebrate.

The debut studio record was done. And it was perfect.

The band is now about to head off now across Canada. From Vancouver to Cape Breton island (Nova Scotia) and back in 6 weeks and 25+ shows. The Pooka (or *Púca,* for you gaeilgoirs out there, is our ride: A 1973 VW (read=hippie)Van. BUT, it has an 1800 CC engine from 74.

So we should be fine, right?

Oz, our guitarist, has documented some of the details (with pics) of the first venture of the Pooka in his blog, Teacher Turned Folk Star.

To summarize the journey of the Pooka, since buying it from a German man in his 70s, who bought it new, we have:
1. Broken down in Banff, AB.
2. Been towed to Canmore, AB.
3. Replaced the Starter Motor in Canmore, AB.
4. Broken down in Salmon Arm, B.C.
5. Where we replaced the fan belt.
6. Broken down at midnight on the Hope-Princeton (Trans-Canada) Hwy.
7. Been towed to Hope, B.C.
8. Reconnected the Generator to the Starter (a mistake made by EUROKAN AUTO in Canmore.)
9. And taken it in for a muffler/fuel-line repair in Surrey, B.C.
(Now, if you have booked shows with us, please do not worry. It will be in tip-top shape for the summer, plus, remember that the Pooka is not human. NO indeed! It is a changeling. Half-car, half-sídhe, this faerie-mobile slowly turns half horse in second gear, pulling into a canter in 3rd, and in 4th! Well, I will tell you, the Pooka becomes The Steed. And at its whopping 60 MpH will get us anywhere we need to be in no time at all. And when in doubt...we rent a van.)

And so, us wandering minstrel lads set off, new record in hand, to bring our myths and music to the world. Well, Canada, for now.

(Pic of The Canmore Hotel, a waitress for whom a customer bought one our shirts. A kind donation to our Pooka repair fund!)

This will be the first Damanta tour to rival our great journey across Ireland and Europe in 2005; from our home-base in Galway, Ireland to Vienna, Austria and beyond. Only now we have a solid record.

THE DRUNKEN PRIEST and the ghostly hymns of autumn
(IMRO & SOCAN 2008)

The first review for it came out the month of the CD release, by the renowned publication of Western Canada, The Celtic Connection (see here). Catholine Butler, who gave me Irish soda bread she had baked after the interview, also did a feature story about the original songs and how they came to be.

With more reviews on their way, what else can we say? Except, like I mentioned, we did not really stop working on the record till every little trouble spot that we and Jesse Waldman, my co-producer, could find. After which we had the disc Mastered by Vancouver*s one and only, Marc L*Espérance.

[My apostrophe key is broke.]


It is a very satisfying thing to know you have done your absolute best on something. Especially
after 3 years of under-budgeted, often rushed, and imperfect recordings. These have ranged from mini-disc sessions done in basements, to $14 computer mics (our *Cúnla* recording) to single-track from a mixer, live-off-the-floor recordings done in a Church (2006 Alive On Pentecost) all of which very few copies exist (read=collector value!:)

We are also proud of the Limited Edition track
Faerie Childe which is on the CD and will only be on the first 1,000 copies, and never downloadable. This recording was a lucky one of from a show at Falconetti*s on Commercial Drive in Vancouver. It is just myself with drum and bass, but really captures the moment.

In fact, much of the last year has been Damanta without the well-known tenor banjo and fiddle additions. While working out bed tracks (drums and bass) for THE DRUNKEN PRIEST, Todd and Colin and I did many trio show to get the right ideas. The song, *Rambles At Night,* for instance, changed just before recording. The last way we played it live, the old way, can be seen in a video we recently put on YouTube. But you can see it here:



I think that the final, recorded version more dramatic with changes we made to how the song begins. And Jesse Waldman has some crazy ideas for the remix, when we throw the fiddle melody, Grapes, back into it (as heard on
Pentecost) and add a little electricity.

So, rather than say more about the shiny, fay-touched album we will be selling for gas money on our tour, do go and read Catholine Butler*s hard work in review and article for
The Celtic Connection. After that, you will have to judge for yourself:

Buy now!
DAMANTA
THE DRUNKEN PRIEST and the ghostly hymns of autumn




And of course, do visit us at our other online venues, as well as when we pass through your town!
REVERBNATION
MYSPACE
RedCappe Promotions
FACECULT!
and
The DAMANTA Official Website

PS: If you want to check us out more before giving us hard earned euros, you can DOWNLOAD some songs for free on our MySpace...yep, enjoy!